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Dan Carlson
Houston, Texas

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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November 30, 2008

My Musical Year In Review, 2008 — 2

By Dan Carlson

The ongoing look at the albums I acquired this year:

March
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Gary Louris, Vagabonds (2008)
Produced by Chris Robinson, whose Black Crowes history gives the album a Southern vibe, this solo record from former Jayhawks member Gary Louris is good overall and occasionally great. "She Only Calls Me on Sundays" is a fantastic country-blues lament, and the album features backing vocals from Robinson, Jenny Lewis, and Susanna Hoffs. You know you want to check it out now.


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Tift Merritt, Another Country (2008)
Damn near perfect. I've loved Tift Merritt since Bramble Rose, and her latest album has her continuing on a path that's part alt-country and part midcentury R&B revivalist. Her vocals are beautiful on every track, but "Another Country" is the one most likely to make you pull over while driving just to listen.


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The Jayhawks, Live From the Women's Club (2002)
This is Volume 1 of a set of live albums put out by The Jayhawks, and it's fantastic. It's got some of their best songs on here, from "Save It for a Rainy Day" to "A Break in the Clouds," but it also offers a fascinating look into the songwriting process by opening with "I'm Gonna Make You Love Me" and closing with a previously unreleased and earlier incarnation of the song called "Someone Will." Great band, great live recording.


April
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Counting Crows, Saturday Nights and Sunday Mornings (2008)
I'm honor-bound to keep checking in on Counting Crows; I'll never stop loving August & Everything After, and they've put out a lot of good music since then, as well. I honestly expected to like the second half of this concept album more than the first, since morning-after brooding seems more in line with Adam Duritz's m.o. than weekending bar rock. But damn if he didn't change things up and frontload the record with great tracks like "Los Angeles" and "Hanging Tree." Adam, you sneaky dog.


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Gin Blossoms, Congratulations I'm Sorry (1996)
I wish I'd had this album when I was 14, and could relay some kind of story of growing up with one of the best pop acts of the 1990s. But aside from a few random tracks, I didn't start collecting Gin Blossoms albums until I was in college. And that's a shame, because this album is a prime example of solid mid-'90s pop-rock. If it hews a little too closely to the pattern set out in New Miserable Experience (right down to the country excursion at the end), it's still an honest and well-written bunch of songs, from the hit singles "Follow You Down" and "Competition Smile" to the beautiful "Not Only Numb" and the upbeat "Highwire." Just a great album all around.


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Golden Smog, On Golden Smog (1992)
Golden Smog is one of those bands I like and whose albums I'm slowly collecting just to fill out that part of my catalog; I am anal, and I accept this. This EP of five covers was their first release. Good stuff.


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Golden Smog, Blood on the Slacks (2007)
A decent outing from the band, but still, worth it for collecting.


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Eytan Mirsky, Was It Something I Said? (2001)
Eytan Mirsky's been on my radar since I heard "(I Just Wanna Be) Your Steve McQueen" in The Tao of Steve, and this album is as wonderful and sad and poppy and just as great as I'd hoped it would be. The songs are all quick and biting and usually cover the same ground — guy loves girl, girl spurns guy, guy shrugs like he knew it was coming all along — but Mirsky is fantastic in the way he can create so many original songs out of the same kind of heartbreak. "Just Another in a Long Long Line" and "All the Things to Do When She Says No" are great, as is "Steve McQueen."


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Old 97's, Blame It on Gravity (2008)
The latest release from my favorite working band. I wrote about the album when it was released, and still stand by my love for it. "Here's to the Halcyon" sums up like half of my 20s.

Comments: 1

Sweet. I didn't know about that live Jayhawks record. I'll check it out.

And I've yet get to sick of "Not Only Numb." Great song.

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Random Quotes

Words of Wisdom

"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

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Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante