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Dan Carlson
Houston, Texas

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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August 20, 2008

Oh Brother Of Mine, Please Don't Forget Me If I Go

By Dan Carlson

leroi.jpg

It's weird that LeRoi Moore is dead. I grew up listening to Dave Matthews Band, and though I didn't really enjoy 2005's Stand Up — and I long since lost track of the startling number of live albums the band put out — I still remember just absolutely loving the band in high school and into college. Dave Matthews Band was probably one of the first groups for which I learned every member's name (my dad made sure I knew the members of Cream by the time I was 14), and with that knowledge came a fashioned sense of their personalities. When I listened to their albums, I wasn't just hearing the music, I was hearing Carter Beauford blast on the drums, or Boyd Tinsley on a sweet violin solo, or Stefan Lessard's driving bass, or Dave Matthews' chunky guitar, or Moore's gorgeous horn. Every member of the band contributed to the songs, and something about the musical breadth and the lyrics that mixed generic yearning with sexual angst made the whole thing exactly what I needed when I was 16-17.

I saw the band in concert a couple times, too, though I haven't seen them live since the fall of 2000. I've moved on to other musical passions since then, both for specific bands and genres at large; I tend to hang my hat on alt-country, power pop, and a few other hooks nowadays. But I still own all my DMB albums, and I don't regret ever loving the band. I guess what I'm trying to say is that someone who helped make the music that got me through what I thought at the time were the darkest days I could experience is dead and gone, and in his absence I suddenly remember how much I used to love just driving around San Antonio with my arm dangling out the window, listening, feeling like if I just heard "The Stone" one more time, everything would make sense.

Here are some for old times' sake:

"#41":

"Recently":

"Rapunzel":

Comments: 1

Well said. Loved DMB from about 1994 til... well, I still buy the new studio albums whenever they come out. I was sad to hear about Moore.

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The Quotes

"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

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the wisdom

Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante