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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. I try not to think too hard about how I want to build my life around talking about other people's creations and not mine. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of a few TV shows ("The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," and "Look Who's Stalking," for starters), you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings. I guess I was made to be a film critic.

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January 17, 2008

The (Sh)It Hits The Fans

By Dan Carlson

Over at Pajiba, we posted our Second Annual (Sh)It List, wherein we take a moment to vent about cultural items or moments that drive us nuts. Some choice excerpts:

• There was no misogyny in Knocked Up or Superbad. Yet, in the Superbad comment section alone, "misogyny" or one of its derivations was used 26 times — for a movie about a couple of high school kids trying to get laid! … If I was guilty of misogyny every time I wanted to have sex at that age, I’d have been executed for war crimes by now. If you want to make the case that the female roles in movies of their ilk are underdeveloped or based on stereotypes, by all means, do so — I’d probably agree with you. For a readership that prides itself on its diction and grammar and understanding of sociological issues, many Pajiba readers fail to understand the significance of the term "misogyny," and it annoys the hell out of me. I don’t deny that misogyny exists in our world; in fact, I agree that it exists on a large scale. But we devalue the importance of the real issues when we misapply words like this. Is it too much to ask that we use words that suit the subject, instead of tossing out knee-jerk reactions? — TK

• (Motion capture) is also called Performance Capture. Or, to keep things brief, Puke. You may have seen it in The Polar Express and Beowulf. I didn’t. I ignored both those movies, so you may wonder why I feel qualified to write about this. It’s because the previews alone offered enough to know that this technology represents everything that’s wrong with movies, culture, nerds, and "progress." — John Williams

• Plus, I swear more in one paragraph than in anything else I've ever committed to the screen.

Go read it.

Comments: 1

Oh, Dan... I love it when you cuss.

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"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

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the wisdom

Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante