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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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October 15, 2007

Review: Lars and the Real Girl

By Dan Carlson

lars-1592.jpg

Look, there's no way to say this without sounding elitist and prissy and so unbelievably snobby I can barely look at myself in the mirror, but: This is one of those movies that mixes humor and heartache, and sometimes, you're not supposed to laugh. Granted, the audience I saw this with at the Laemmle on Sunset was (probably) better equipped than most to handle the film's emotional nuances; this thing would tank in silence in, say, Midland, Texas. But I was still frustrated with how some people would bark out these braying little laughs in the middle of certain scenes, like the one later in the film where (don't worry, no spoiler) a doctor who's been subtly psychoanalyzing Lars shoots a look of concern at Lars' brother and sister-in-law. This isn't a funny moment. She isn't saying with her eyes, "Oh, these wacky kids." She's telling them she knows better than they do what Lars is going through right then, that he's tearing his own heart apart. And that's not a punch line. In moments like that, when people laugh and I do all I can to fight back the rush of emotion that pours over me when a film really hooks me, I feel somehow smarter than everyone else in the room, like I was able to hold my breath to dive long enough or soar high enough to see something they don't, and will never. I feel like I get it, and they don't, and there's always a rush of slimy pride that comes with that feeling. And I know that that's a terribly divisive thing to say, and the kind of statement people don't embrace you for, merely factor into their level of tolerance for the kind of jerk you're turning out to be, and I should be (and am) grateful for all the friends I have who put up with me when I come a little unhinged during a bad viewing experience1.

But for everyone who laughed when they shouldn't have: I quietly judged you, and found you lacking.

Click here for the review.

1. A good example of this is when I went with friends in Houston to see Knocked Up. I loved the movie, but had one of the worst viewing experiences of my 20s. In addition to putting up with bad focus and framing, the crowd was loud, and a group of 6-8 people to my left had decided to bring a couple babies with them, because apparently their reluctance to either use the pill or snap one off alone is somehow my problem. Plus no one got the L.A. jokes, like the Northridge/LACMA/etc. references. Plus the line about Ben being dressed like a "cholo at Easter" took on a sad layer of relevance when viewing the film in Houston, which let's face it, has a bunch of cholos. And they brought their babies. Long asinine story short: I have a near-militant respect for the viewing experience, and I will cut you if you ruin it.

Comments: 12

joshowa

I hear you! Except instead of pride, I swell up with anger. I just want to shake the fools who are so emotionally inhibited that they have to turn everything (especially the pain of others) into a joke. Where's the empathy? Where's the understanding? Aargh, it makes me upset just thinking about it.

Oh, and amen to respecting the viewing experience.

I had a similar experience with audience members laughing at inappropriate moments during Waterworld.

I don't see any need for Protestant guilt over feeling superior to people with the emotional register of tide-pool invertebrates.

But you have to admit there's a certain irony in people bringing their newborns to a showing of "Knocked Up."

"Look, Cholo Junior, this is the same mistake your mother and I made!"

Cody D

I too had a bad viewing experience during Waterworld. But mostly because I thought it was a crappy movie.

I had the worst theater experience watching Knocked Up, too. A pair of rude hags were behind me, talking loudly through the entire film. I tried to shush them, then asked them politely to quiet down, then tried to get stern and serious, but they were impervious. Thank god for dvd players.

Chris

Let us not forget that time you berated the guys playing ping-pong in the lobby during the conclusion of Moulin Rouge. They looked visibly shaken, if memory serves me.

Which I don't regret even the littlest bit.

rio

one thing is this kind of experince in a movie theater another is having film grads watching Grey Gardens and laugh histerically when little edie is busting out the most memorable line of the entire movie "it's hard to separare the past from the present" just big edie was a fat naked woman. I mean this people were studying documentaries, wanted to become documentarians, I felt my heart die a little for all of them.

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