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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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April 24, 2007

An Open Poll: John McClane Edition

By Dan Carlson

Which is the better film:

Die Hard 2 or Die Hard With a Vengeance?

I say it's Vengeance, though a couple coworkers disagree and side with Die Hard 2. (The first film is, unimpeachably, the best.)

Comments: 9

I favour Die Hard 2. Whether or not it's actually a better film judged on its own merits, the third one fits awkwardly in the Die Hard franchise. It just feels too much like a Lethal Weapon movie. Nothing against Murtaugh and Riggs, but John McClane is best as a lone wolf rather than as part of the "buddy cop" genre.

Is it wrong to like Vengeance merely because it has a great opening explosion to the sounds of The Lovin' Spoonful, and also because it has Samuel L. Jackson?

In a small side note, I caught Die Hard 2 on TBS late one night, and dubbed over the line "Yippee ki-ay, motherfucker!" was the absolute best censored line ever: "Bye Bye, Mister Falcon!" I was laughing for minutes I tell you, minutes!

Die Hard 2 is way better. I agree with Peter, Vengeance is it's own beast.

I haven't actually seen either (I know, shame, shame), but based on hype I would have to say Vengeance. The reason I'd been refusing to see the sequels was because I knew Alan Rickman wasn't in them, so what's the point? But Jeremy Irons is a more than adequate substitute.

I'm with you on this one Dan. Vengeance is my favorite. How can you not love a movie with the line, "Yeah, Zeus. As in father of Apollo? Mt. Olympus? Don't eff with me or I'll shove a lightning bolt up your ass? Zeus! You got a problem with that?" (edited for little eyes)?! Samuel L. Jackson is hilarious in that movie, plus it's jam packed with riddles and action.

I've been laughing about that "Mr. Falcon" line for years now. Usually, bowdlerization is for the worse, but this time, "Falcon" being the villain's code name, it's done so cleverly that it actually improves the movie.

My God, Die Hard with a Vengeance without a doubt.

It's never boring, you get to see John McClane in his element as a New York cop, you have the tie-in with the first movie as Jeremy Irons is Alan Rickman's brother (and you don't actually see his face until an hour in - "They bought it.") Samuel L. Jackson in that period when he was starting to get name recognition status, and most of all, John McTiernan back directing after Renny Fucking Harlin did Die Harder (which is still pretty damn cool)

I don't want to see the new one though.

ryan

Vengeance

Die Hard 2 was terrible, just terrible

Spender

All three are among my guiltiest pleasures and, while I can add little to the already excellent arguments in favor of Vengeance, I'll agree and say that it's far superior to 2.

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"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

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Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

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— Ovid

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Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
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Ask the Dust, John Fante