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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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January 9, 2007

R.I.P. Tony Palos

By Dan Carlson

I first saw Tony's barbershop when doing laundry at a dirty laundromat on Magnolia. The actual name of his shop was Lookin' Good, but I always just referred to it as Tony's.

Tony's was a long narrow room with a small lobby area near the door and a short hallway leading back to the one barber chair in the place. The hallway was marked off by a movable partition that didn't reach the ceiling; I peeked over it one day and glimpsed a cot and a weight bench, which makes me think Tony might have lived there.

The lobby area consisted of a battered old couch and matching recliners, centered around a coffee table featuring scattered remnants of recent newspapers and back-issues of Playboy and Cigar Aficionado. Tony's aspired to be a manly place: Cardboard cutout of Bogey, a couple of Rat Pack posters as well as the inexplicable presence of an original theatrical one-sheet for Superman, and, of course, soft porn. There was always something a little disconcerting that at least a dozen issues of Playboy were circulating through the lobby and bookstand area. The strangest moment came when the man ahead of me finished his haircut and, instead of leaving, picked up a Playboy and plopped down on the couch. I don't know what kind of attention this guy wasn't getting at home, but something was clearly wrong.

The sole barber's chair sat in front of a low table, on which sat a TV/VCR combo and — again — a Playboy. I started to wonder if Tony was trying to tell me something about himself, or if he just wanted to provide healthy testosterone injections into what is usually a pretty dull experience. But it's not like I was about to pick up the magazine and thumb through it while he cut my hair. What would I do? Would I avoid the pictorials and adhere to the articles about how to shop for a roadster or what to do if your teacher starts hitting on you? Or what if I picked it up and he said, "Hey, check her out," or something along those lines. I don't think I could handle that. And Tony was in his 60s, so I don't think his heart would have taken the stress well, either.

But despite all that, Tony's was a great place. He always had the little TV on and would hand me the remote when I sat down. I went there for so long that he needed only the briefest reminder of what kind of haircut to give me, and it was good every time. After a while, I couldn't remember how much the haircut cost, only that the $20 I gave him more than covered it, with a tip. The place was almost never busy, and most days I was the only one there.

Tony's is gone now, why or to where, I don't know. My phone call to make an appointment — even with his small trickle of business, Tony preferred call-aheads to walk-ins — was met with an endless ringing. Not a disconnect or a warning that the number had changed; just the ringing. I drove by and saw that the inside of the tiny storefront had been gutted. Pipes lay everywhere amid chunks of plaster and a few spare paint buckets. The place was emptied, and only half the signs were gone from the outside. The faded decal of a barber's pole was still affixed in the window, but Tony wasn't around.

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"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

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Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante