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Dan Carlson
Los Angeles, California

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

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« Review: The Departed |Main| Seriously, Don't Hold Back. Seriously. »

October 8, 2006

Sunday Recap

By Dan Carlson

• The weekend in film:

"It’s not just a fantastic, frenetic police-and-thieves thriller, but also a welcome return to form for one of the best American directors working today."

"There are certainly enough bludgeons, chainsaw eviscerations, and human consumption to make one’s stomach wobble, but it isn’t anything exceptional. Uninvolving characters are mangled in fairly uninvolving ways — what’s left to say?"

"I just think it’s fantastic that director Greg Coolidge (Sorority Boys) finds new and exciting ways to infantilize women, objectify them as mounds of flesh one can rest upon a counter, and then make them appear bubbly and intellectually deficient, thereby affording the men in the audience an opportunity to feel smarter by comparison."

"She may be a bit of a monster, but what else could she be? Thrust into the monarchy as a sheltered girl of 26, following her father’s early death, which the film suggests was a direct result of having had the crown dropped his lap upon his brother Edward VIII’s abrupt abdication, she gave up being a woman to become an institution."

• "Hey, everybody liked my script for Training Day. I wonder if anyone will notice if I remake it with a white guy? Man, I'm brilliant."

• This is just a suggestion, and Lorne Michaels is free to ignore it, but I think the current cast of "SNL" should be ritualistically slaughtered. Then the show should take a one-year hiatus to think about how bad it is. Then, maybe, if it seems everyone has learned their lesson, the show can come back. But only then. (Except for Kristen Wiig; she shall be spared. And Seth Meyers. And Amy Poehler. But seriously, that's all, everyone else is dead.)

• Because every now and then the universe opens up and smiles at you: John Hodgman has a blog.

• The best videos of the week:

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The Lines

The Quotes

"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

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the wisdom

Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante