What I Mostly Look Like

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the info

Dan Carlson
Houston, Texas

I'm a twentysomething white male with ambitions to be a professional film critic and generally spend my days getting paid to watch movies and write about it. A compulsive reader and stubborn cineaste, I take an often contrary stance to my more fundamentalist peers and upbringing by celebrating the pursuit of the good, and the Good, in life, love, art and film. If you watched enough episodes of certain TV shows — for starters, "The Hungry and the Hunted," "The Cut Man Cometh," "The Body," "The Zeppo," "Waiting in the Wings," "Out of Gas," "April Is the Cruelest Month," "20 Hours in America," "Colonial Day," "An Echolls Family Christmas," "Look Who's Stalking," "The Garage Door," "Charlie Gets Crippled," "Wind Sprints," and "Corner Boys" — you would understand me completely, and you'd also realize that much of my worldview and philosophical insights are heavily influenced by fictional works/programs, and many of the good things I've said in my life are just a regurgitation of someone else's imaginings, or at any rate a heartfelt attempt to interpret them. I guess I was made to be a film critic.

Calendar


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The Counter

the world

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July 30, 2010

Review: The Disappearance of Alice Creed

By Dan Carlson

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Decent enough little thriller. No great shakes, but probably worth a rental if you're interested.

Click here for the review.

Unrelated: This was the second screening I've attended in Houston where the movie in question featured a gay relationship, and thus the second screening at which audience members let out groans and jeers at the presentation of same-sex affection. Now, I know it would be unfair and inaccurate to act as if what happened at these screenings was indicative of the city as a whole. I've got a growing network of friends and acquaintances here, some of them gay, none of them homophobic. But it's still a shock to hear this stuff. It's a disturbing and seriously heartbreaking reminder of how far we have to collectively go before things get better.

Plus also on a purely technical note: Why go see a movie featuring gay people when you don't like them? Is the allure of a free screening sponsored by a radio station or newspaper so great that you're willing to slightly tamp down your homophobia just to go to the theater? That can't be it, because these people clearly were determined to keep grumbling their displeasure at the sight of two gay people kissing or saying "I love you." If you're not going to be okay with it or even hide your anger, why go?

When I got home from the theater, I tweeted my displeasure here, here, here, and here. The AMC Helps account saw my tweets and asked if they could help, but I said that short of curing homophobia in the South, there wasn't much that came to mind. Of course, I wasn't even at an AMC when it happened, but an Edwards, so they're off the hook anyway.

July 29, 2010

We Ah Dooly Appointed Federuhl Mahshuls

By Dan Carlson

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I love this shot (click for larger) from Shutter Island. I thought it was a solid, engaging movie, and that Scorsese's amped-up psycho-noir tone was perfect. It was gorgeously shot by Robert Richardson, who's worked with Scorsese several times. A great thriller.

July 25, 2010

Passages: Feed

By Dan Carlson

From M.T. Anderson's YA novel about a future in which commerce and relationships are driven by a chip in everyone's brain. It's a quick, sharp read, full of dark humor and incisive observation about the ease with which culture erodes:

Marty had also gotten a Nike speech tattoo, which was pretty brag. It meant that every sentence, he automatically said "Nike." He paid a lot for it. It was hilarious, because you could hardly understand what he said anymore. It was just, "This fuckin' shit Nike, fuckin', you know, Nike," etc.

Everything was not always going well, because for most people, our hair fell out and we were bald, and we had less and less skin. Then later there was this thing that hit hipsters. People were just stopping in their tracks frozen. At first, people thought it was another virus, and they were looking for groups like the Coalition of Pity, but it turned out that it was something called Nostalgia Feedback. People had been getting nostalgia for fashions that were closer and closer to their own time, until finally people became nostalgic for the moment they were actually living in, and the feedback completely froze them. It happened to Calista and Loga. We were real worried about them for a day or so. We knew they'd be all right, but still, you know. Marty was like, "Holy fuckin' shit, this is so Nike fucked."

July 16, 2010

Review: Inception

By Dan Carlson

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Very good. Gripping, inventive story; stunning effects; basically impressive all around.

Click here for the review.

July 14, 2010

It Seemed Like A Good Idea, Etc.

By Dan Carlson

Flag football was important. The intramural games were divided into two leagues, championship and recreational, the level of skill on display pretty apparent in the names. Within the champ and rec league divisions, teams were further ranked by number, from Team 1 (the best) on down. The Team 1 flag football games were chances to watch two gangs battle, to see and be seen, to flirt with possibility.

We experienced none of this. As pledges, our job was to support the players with a variety of cheers, usually the ones marked with the kind of blatant innuendo that takes firmest root in private schools populated by the sexually repressed and morally confused. E.g., when our team was on offense and close to the goal line, our 19-year-old voices would send up a cry of "Penetration! Penetration! We wanna score!" This was our duty, and we took it seriously.

There were trade-offs, though, at least for the less physically resilient of us. Whenever our team scored, we were to drop into a line and execute a number of push-ups to match the score, which meant that on the first touchdown we did seven, on the second we did fourteen, and so on. As a result, I found myself utterly emotionally divided at every game: I rooted for our success and dominance, yet I dreaded touchdowns because they meant exercising in front of female spectators, about as close to a living nightmare as I've ever come. The best games for me were defensive grudge-matches in which we established a lead early on and then rode it out in a ground war.

The girls did all this, too, or at any rate their pledges were present to support the female teams playing on the adjacent field. The purpose of their presence beyond anything symbolic was never really clear. They came, they cheered, they marched off, displaying a military precision but none of the terrible joy my friends and I seemed to channel.

One night the girls' pledges brought their notebooks with them to the field. This particular group of girls used plain three-ring binders as totems of their status as pledges; we used wooden blocks on which our names had been scrawled in permanent marker. The girls' notebooks were their treasure, the thing they kept with them at all times and had been instructed to guard like children. At one point, the notebooks were left in a giant pile while the girls cheered on their team, which is when our own leader gave us orders.

"I want those notebooks," he said, grinning the grin of a young man commanding even younger ones to do something stupid for no reason other than the fun of it. "Go get 'em."

We charged the pile of plastic binders with a total lack of planning, immediately drawing the girls' attention and sending them running toward us as they grabbed at our sweaty arms and dirt-crusted shirts to reclaim what was theirs. Some of us fell; one of us went down on his knees, arms out to his sides, hoping or begging to be crucified or merely smothered.

I took a single notebook and ran east, away from the field into a neighborhood of cheap houses mostly occupied by students, then cut north into an alley that would lead back to school. I was less than a minute into my journey when I heard her panting behind me. "Stop," she said between gasps for air. "Stop, please. I need that. Give that back, I need it." She'd have shouted if she'd had the energy.

I glanced quickly back at her but didn't stop moving. She seemed exhausted, running between garbage bins through an alley barely lit by the moon. She seemed to be staggering with rhythm than actually running, though whether her slowness came from fatigue, injury, or an inherent lack of athletic ability is something I never learned. I thought in that moment how happy I was to have someone chasing me who wasn't very strong. It was one thing to struggle through group exercises beneath the uninterested stares of this girl's superiors; it would be quite another for her to catch and assault me on foot. I often lied in the presence of women about my physical abilities. I'd taken a general strength-training course a year earlier that was co-educational, and one of the regular tasks had been to pair off and perform as many sit-ups as possible in a given time, after which we would recite our total as the instructor moved down the list and recorded our achievements in his log. I always embellished my total, sometimes by as many as 20 sit-ups, never wanting to appear that I couldn't do something that a woman a fraction my size could accomplish. My partner never challenged me, either, merely gave me a knowing look every time it happened. I wound up dropping the class two weeks before the end of the semester, afraid I wouldn't meet the performance requirements for a passing grade.

I turned my head back to the path and kept running, pushing myself to go as fast as my heavy frame could carry me. I heard her start to fall back even as she continued to plead with me to show some mercy. I knew what she meant, too: Losing the thing you're supposed to protect is a grievous offense, usually punishable by further physical labor. I would not have wanted to be in her situation.

I lost her, or she gave up. Either way, I arrived back at my dorm and hid the book among my things. My roommate and I kept it for a few days, exploring the trivia and history within but mostly marveling at how useless and ultimately boring it was. I'm sure I returned it to her, though I can't remember how or when. I know I didn't keep it. I saw her around campus for two more years, but we never really talked.

July 9, 2010

Review: The Kids Are All Right

By Dan Carlson

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Best movie I've seen so far this year.

Click here for the review.

July 2, 2010

Racism As Capitalist Enterprise: An Online Transcript

By Dan Carlson

Well, shit. I was gonna name my new band A Pack of N**gers but now people will just think I'm copying Mel Gibson. Thanks a LOT, Mel.Thu Jul 01 20:27:36 via web


@danielwcarlson you should still put out your debut single "I'm Going To Blow The Fucking House Down (But You Will Blow Me First)"Thu Jul 01 20:29:02 via TwitterGadget


@danielwcarlson I envision it as kind of a George Jones/Tammy Wynette number.Thu Jul 01 20:30:18 via TwitterGadget


@MattSpringer I'll probably stick with the album title "World War Jew" though. Still, back to the drawing board for the band name,Thu Jul 01 20:31:53 via web


@danielwcarlson yeah, makes sense. fits with the other lead-off single "Your Love and the Holocaust Never Happened"Thu Jul 01 20:32:38 via TwitterGadget


@MattSpringer I thought that was a Ray Stevens song.Thu Jul 01 20:33:22 via web


@danielwcarlson aaand...scene! brilliant.Thu Jul 01 20:33:42 via TwitterGadget

June 18, 2010

Review: Toy Story 3

By Dan Carlson

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A bit of a misstep for Pixar. Not terrible, but not the quality we've come to expect.

Click here for the review.

June 11, 2010

Review: The A-Team

By Dan Carlson

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Solid summer action fare. Easy on the brains, heavy on the explosions, and pretty fun throughout.

Click here for the review.

June 9, 2010

Make A Joyless Noise

By Dan Carlson

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"Glee" recently wrapped its first season, but the 22 episodes were split up into the original 13, which aired last fall, and this spring's "back nine," a group of episodes that a network will often order to give a full year to a show about which it initially held reservations. And that division in the show's first season is the root of its problem, and the source of everything that's wrong with it.

Musicals are inherently going to push the boundaries of reality more than any other genre. Some numbers have framing devices that keep them rooted somewhat in a believable story line, like a glee clubber performing on stage, but most of the numbers exist in that blurry fantasy-land unique to the genre in which people just start singing their feelings. These moments do as much to move the plot and help characters develop and express emotion as any other, but the problem with "Glee" isn't its willingness to smudge the line between reality and fantasy. It's that it no longer pretends to care about the reality.

The show's success led to a back-nine set of episodes that felt progressively gaudier, as if the show had to keep topping itself if it wanted to stay hot. As a result, all the creative energy was focused on the songs and none of it — not one blessed ounce — on the stories of the people doing the singing. The opening scene of the season finale had Will and Sue arguing in the principal's office about Sue's intrusion into the club and the principal's continued threat that the club would be shut down if they didn't ace their next show. This scene has happened so many times the first season that it has lost any ability to create drama or tension; it's just annoying. A viewer could watch the pilot, the fall finale, and the season finale and barely feel like they've missed anything, and that's bad plotting.

It's also lazy and annoying to insist that every plot about the club deal with its very survival, which are the highest stakes possible. This would be like making every episode of "The West Wing" about the president's potential impeachment; after a couple dozen hours of the same story always winding up okay, the cracks would show, and that's what's happening to "Glee." It's not that there's nothing to care about. It's that we don't get a chance to. It would be far braver and more interesting to just assume that the glee club will continue to exist, and that Sue must find some way to cope with them or harass them that doesn't involve another lamely constructed joke about Will's hair.

Are the musical numbers still good? Yes. But they're not great, and can't be until the show is once again able to establish a connection between the singing and non-singing moments. When the football players last broke into "Single Ladies," it was sublime precisely because of everything that had happened in the story to that point. The musical number was a perfect emotional extension of the narrative. Compare that with Sue's fantasized version of Madonna's "Vogue" video from this spring: lots more money and effects, and absolutely none of the joy. The show has forgotten that songs need people, not just performers.

June 4, 2010

Review: Get Him to the Greek

By Dan Carlson

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Funny but insubstantial, and not as good as its forerunner.

Click here for the review.

May 27, 2010

We've Come To The End Of The Road

By Dan Carlson

When the producers trotted out the "Pants on the Ground" guy for the finale, I realized just how long these past 20 weeks have been. I have no idea if I'll wind up watching the show next season, but I can't imagine ever getting more or less out of it than I did this year. The manufactured drama is always the same, just with different faces. I know why people watch; I just don't know why they keep watching.

"American Idol," Week Twenty: Top 2 Perform

"American Idol," Week Twenty: Lee DeWyze Wins; Crystal Bowersox Runner-Up

May 24, 2010

It's Never Been Easy

By Dan Carlson

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My post about the "Lost" finale is up over at Pajiba. I think the episode hit some good character moments but was ultimately revealing about the creators' true desire to use smoke (ha) and mirrors to hint at an epic story and then forget it all when it came time to collect. It was a fun episode and had some good scenes, but it doesn't hold up overall, and it will probably retroactively weaken the series. As far as finales go, not on my list of favorites.

"Lost" 6x17: "The End"

My weekly round-up of TV odds and ends is up, too.

May 21, 2010

You've Got Pickle Hair, Baby, And You Got It From Me

By Dan Carlson

That's the end of the season for NBC's comedy block. Over the summer, I really hope someone kills "The Office."

NBC Comedies 5.20.10



May 20, 2010

"Idol" Entering Thunderdome

By Dan Carlson

Down to two contestants now, and the end of the surprisingly long 20 weeks it takes to arrive at a champion. Maybe they'll shorten the show when Simon leaves. (Yeah, right.)

"American Idol," Week Nineteen: Top 3 Perform

"American Idol," Week Nineteen: Casey James Eliminated

May 19, 2010

Band Names Based On Things In My Office

By Dan Carlson

Freezer Full of Kit-Kats

The Turquoise Purses

The Pleather Chairs

Ken's Crappy Wi-Fi

The Ironic Motivational Posters

One Fake Fern

Jack Vettriano's Revenge

The Pleated Khakis

Fire Escape to Nowhere

The Final Countdown

By Dan Carlson

"Lost" is almost over, and the set-up for the finale was a typically solid one:

"Lost" 6x16: "What They Died For"

May 15, 2010

Can I Watch You Do It While Eating Pork Cracklins?

By Dan Carlson

It's a shame that the seasons are almost up for these shows. I've enjoyed blogging about them as a block.

NBC Comedies 5.13.10


May 13, 2010

"Idol" Outfoxxed

By Dan Carlson

Well, Big Mike was sent packing this week as this season of "American Idol" took one more lumbering step toward the finish line. Only two weeks to go.

"American Idol," Week Eighteen: Top 4 Perform

"American Idol," Week Eighteen: Michael Lynche Eliminated

May 12, 2010

Mama, Life Has Just Begun

By Dan Carlson

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This week's "Lost" was packed with information that will take a while to absorb and apply. Good episode, though:

"Lost" 6x15: "Across the Sea"

May 10, 2010

Chaos Is A Given

By Dan Carlson

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This week's "Treme" was solid, and it began to hint at where the stories might eventually go.

"Treme" 1x5: "Shame, Shame, Shame"

P.S. My weekly round-up of TV news and stray thoughts is also up.

May 7, 2010

You Seem Pretty Practiced At Putting On Panties With One Hand While Holding A Gun

By Dan Carlson

Another solid night for NBC's comedies. I flat-out loved "Community," which is the best new comedy of the year, and "Parks and Recreation" and "30 Rock" were also strong. "The Office" did as best it could, which mainly meant not making me hate myself as much as some episodes do. Small favors, you know?

NBC Comedy Block 5.6.10


May 6, 2010

Four To Go

By Dan Carlson

Just three more weeks and the season's over. It feels like it's been going forever, mainly because there were only two or three real contenders in the top 24 to begin with, so it feels like the entire spring has been leading up to this inevitable conclusion.

"American Idol," Week Seventeen: Top 5 Perform

"American Idol," Week Seventeen: Aaron Kelly Eliminated

May 5, 2010

Killing In The Name Of

By Dan Carlson

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You know what happens when "Lost" gets closer to the end of its season: Folks start getting killed.

"Lost" 6x14: "The Candidate"

May 3, 2010

Lagniappe Isn't What It Used To Be

By Dan Carlson

"Treme" was solid this week, and included a number of great shout-outs to "The Wire."

"Treme" 1x4: "At the Foot of Canal Street"

Also, my weekly wrap-up is live, as well.

And because it never gets old:

Contact Me

Questions? Comments? Complaints?

Drop 'em in the mailbag.

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Random Quotes

Words of Wisdom

"The critic is the only independent source of information. The rest is advertising."
— Pauline Kael

"Film lovers are sick people."
— Francois Truffaut

"I hope I strike a blow for chubby bald men everywhere. I hope they rise like an army."
Paul Giamatti, quoted in the Los Angeles Times, 12/14/04

"Let others praise ancient times, I am glad I was born in these."
— Ovid

What I'm Reading

Dan's  book recommendations, reviews, favorite quotes, book clubs, book trivia, book lists

What's In Rotation















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Things to Know

Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?

O lost, and by the wind grieved, ghost, come back again.
— Look Homeward, Angel, Thomas Wolfe

Conservatives are not necessarily stupid, but most stupid people are conservatives.
— John Stuart Mill

We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forget.
— G.K. Chesterton

We were, for the briefest of moments, something greater than the sum of our uncertain parts; we were youth itself, in all its painful glory and sharp joy.
— Me, Fall 2003

There is a time in the lives of most writers when they are vulnerable, when the vivid dreams and ambitions of childhood seem to pale in the harsh sunlight of what we call the real world. In short, there's a time when things can go either way.
— Stephen King

Los Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town.
Ask the Dust, John Fante